Digital humanities in China has moved, in barely two decades, from a scattered “prehistory” of full-text databases and ad-hoc digitization to a self-conscious field with dedicated centers, journals, curricula, and increasingly grand infrastructural ambitions. This talk offers a critical account of that trajectory, organized around three interlocking problems: emergence, infrastructure, and discontent. Drawing on a body of work by myself and with collaborators tracing the paradigm’s arrival in the Greater China region, it first charts how humanistic inquiry became fused with computational method—largely through library and information science, historical GIS, and landmark database projects such as the China Biographical Database—and how this shaped the field’s distinctive contours.
Torsten Hiltmann: (Re-)Defining Digital History. The Allographic as a Theory of the Digital and Its Consequences for History
Digital History has proven remarkably resistant to definition: it is usually characterised either by reference to whatever technologies happen to be current, or as a loose set of practices — while some scholars reject the very attempt at definition altogether. This talk takes the opposite route and proposes a definition derived from theory, one that places neither practices nor technologies at the centre of the field, but the digital itself as its unifying core.
„Torsten Hiltmann: (Re-)Defining Digital History. The Allographic as a Theory of the Digital and Its Consequences for History“ weiterlesen
